BIAS AMP 2 TUNER SOFTWARE
BIAS AMP 2 TUNER PROFESSIONAL

In addition to all of these amazing new features, we’ve also partnered with legendary Celestion to create brand new custom multi-mic speaker cabs using their famed impulse responses! (Additional preamp, power amp and cab models are available via in-app purchase)īIAS AMP 2 Mobile seamlessly integrates with Positive Grid’s ToneCloud®, which is far more than a simple storage tank for your own custom tones - it’s an active community where thousands of guitarists upload, share and discuss tones. Whether you’re a classic rocker, metalhead, jazz player, bluesman or singer-songwriter - and whether you understand how amplifier electronics work or not - you’ll be dialing in killer and exclusive tones in a heartbeat.īIAS AMP 2 Mobile adds a host of new features, including a powerful new user interface, new preamp and power amp tubes, tone stacks, Blues and Bass amp packs, new Dynamic Tone Control, new speaker cabinet module with multi-mic capability and open/closed back cabinet emulation and much more. The app gives you the power to create new sounds by designing your own dream amplifier, letting you swap out tubes, preamps, power amps, transformers, tone stacks, cab, and microphones, all via a powerful and intuitive interface designed for your iPhone.

BIAS AMP 2 TUNER PROFESSIONAL

I don't really have any opinion on thunderbolt until things become more standardized across platforms for that.BIAS AMP 2 Mobile is a professional virtual amp designer that offers replications of 36 of the best vintage, modern and boutique amps in rock. I know more than a few USB interfaces do just fine. In terms of power, we know any modern computer has more actual power than the systems I mixed hundreds of albums on, but there are other factors that affect throughput, and that s why I really want to do a bunch of cheap craigslist experiments. I've come to accept that live I'm not in a studio, so get a sound I'm comfortable with, keep the low end from flapping to death and I'm more than happy. Tackle that translation and you'll be happy I would think. The eq response itself on the other hand.man, moving your head a milimeter has a giant impact on the sound.at least in the studio you can kind of stay somewhat still, but on stage? Forget it PA speakers and guitar cab speakers dont usually have the same sort of damping factor to them, which is leading to floppy flubby bass, which is driving me nuts,m but I realize that can be fixed with dynamic EQ or multiband compression. In general I see it in two parameters : tone and dynamics. I am having MASSIVE trouble translating a lifetime of running through studio monitors to actual live performance speakers. I am awaiting a cheapo tablet to show up on craigslist to see exactly how this fares in the real world There are way more elegant ways to do this, and if CPU power or throughput is compromised on the cheaper tablets I'll look into this, but for now, on my HP i3 4gig RAM Craptop, I'm able to do this with 32 separate tracks of virtual racks with zero issues. INSTANT sound switching (and there's ways to improve this even further with a spillover track)

The CC's still go wherever you want them and you can 'learn' those as well. Mute all but track 1, save as SWS snapshot 1, go to actions and pick snapshot 1, click learn, press the midi pedal I want for it.

I make a track of the exact sounds I want, arm it, turn monitoring on, move on to the next track with a different sound, etc, etc, etc Right now, I'm just using SWS snapshots and turning off everything but mute state. SWS Live Configs allows an insane level of control, but for me, I have an easier way, I guess if I ever need as much power as SLC allows I can go in there.

BIAS AMP 2 TUNER SOFTWARE

No more hassles sharing presets from one device to the next.ĭirect parameter entry (and workarounds for software that didn't allow it)Įvery single solitary downfall of the iOS software is out the window You can completely specify what output gets what exact treatment (multiband compressor for the lows going to your monitoring rig, unaltered signal to the PA for instance).ĬOMPLETELY customized and dictatable MIDI control.polarity, min/max, and yes, auto engage anything You can run control signals for FX like pitch and noise gates from things other than your primary signal path. Software wise, there's not even anything remotely resembling a comparison, because of VST or whatever your plugin format of choice, you can mix and match whatever you want. The big hurdles were a wireless MIDI pedalboard and a decently cheap tablet that anyone can afford as easily as an iPad.

I'm working on some ways to control all the guitar sounds in REAPER as conveniently as with the iOS stuff.

Bias amp 2 tuner